Adobe TV
The first place to look for good tutorials in After Effects or other Adobe Products is Adobe TV.
Click on the image below.
Crowd Control
If you’ve ever wished you could add actors into to your presentations, motion graphics, animations, websites, or 3D visualizations, but felt that you didn’t have the time or money to do it, that’s about to change. Introducing Crowd Control – The world’s largest stock-footage library of actors keyed out from their green background, and ready to be added directly into motion graphics, 3D architecture, and visual effects projects.
http://allbetsareoff.com/products/crowd-control/
After Effects Tutorials
Creative Cow is the one stop site for all your media application tutorials including After Effects, Photoshop, Avid & Final Cut Pro.
http://library.creativecow.net/tutorials/adobeaftereffects
Virtual Cameras
I found this really good article on virtual camera’s in after effects. Have a good read of it, it will help all of you who are using cameras in your video’s
http://www.peachpit.com/articles/article.aspx?p=1273350&seqNum=2
Green Screen Shooting
Last week we looked at a simple introduction to green screen shooting. Blue and green are the most likely colours used for colour keying. Blue works best for shooting on film, green for video. Firstly, why do we use green or blue? Well, the simple answer is that that is blue and green are considered most unlike our skin tone, but the reason for using green on video and blue on film is a little more complex use the link at the bottom for more information.
For the colour comparisons, check out the color wheel as a reference. Its important to get used to this, as it is important to know your way around it for colour correction, etc.
There are 3 important things to remember when shooting in front of a green screen
- The lighting of the green screen
- The lighting of the subject
- Positioning of the shot and subject.
Two of these important factors need to be dealt with before we get in front of the green screen. So for the lighting, if the shot we are going to be compositing on to has all the lighting from the left of the screen, then we need to make sure our subject is lit in the same way. Although there is a lot we can do with lighting effects and colour correction in post production, it will make it easier on you if you plan these shots before you go filming. The same goes for the angle of the shot, plan both shots before hand and it’ll make your compositing a hell of a lot easier. Use backlights to eliminate green spill, and make sure the subject is far enough away from the greenscreen to avoid shadows. Also, make sure we light the green screen and our subject as separate entities, even switching off the lights from one to light the other.
When it comes to lighting the green screen itself, remember less is more. The only thing we want to achieve is an evenly lit screen. We want one tone of green throughout with no shadows or highlights. It doesn’t need to be bright, just even. Too much light on your green screen will result in green spill on your subject and we don’t want that! There’s some great information on lighting a green screen here…
http://library.creativecow.net/articles/onneweer_barend/chromashoot.php
We also took a quick look at compositing. The techniques we discussed and tried out are explained in the following links
Colour Correction in for Green Screen Compositing
http://library.creativecow.net/articles/coots_brendan/greenscreen.php
Using light spill for compositing (bluring the edges of our matte over our foreground)
http://library.creativecow.net/articles/dewar_john/light_spill.php
and here’s a great video co-pilot tutorial using Keylight.
http://www.videocopilot.net/tutorials/basic_color_keying/
enjoy!
